This doesn’t just apply to the 3D note placement and movement the oscillator pitch envelope generators have a set of five random behaviours to inject human and analogue variance, and then there’s also the quirky dice icon at the top of the plugin window. SkyDust 3D’s note panning can be manipulated via the intuitive control set, but at every stage there are randomisation sliders, allowing anything from slight shifts of parameter settings to full-scale deviations. Even so, limited to stereo reproduction, the sounds and movements that can be produced are impressively immersive, for sound design and music production alike, especially when monitoring in binaural mode on headphones. Spending half the amount on the stereo version brings exactly the same functionality, just without the 3D sound. The sonic possibilities are almost infinite, and for those embracing the (more expensive) fully-fledged spatial option in a surround playback environment, the results are stunning. The learning curve may be steep, but the output plot view helps you quickly gain familiarity with the movements and behaviours. The Movement Modifiers option will likely become a firm favourite of sound designers, offering a start point, a movement (rotating, oscillating, floating, etc) and then a movement or destination triggered on note release. Meanwhile, at the complex end, there is an LFO and envelope generator for each oscillator’s spatial behaviour. SkyDust 3D’s Spatial pageĪt the easy end, oscillators can be assigned a static position with regard to front/back, elevation and left/right. Plus, the spatial preset menu lets you explore the possibilities as a wealth of useful starting points. Initially, it’s hard to comprehend how to program such varied and complex surround panning behaviours, but flicking to the Spatial page reveals simple, powerful tools to conjure up myriad movements. Given the synth’s maximum polyphony of 256 notes, up to 32 particle dots of each colour/oscillator can be swimming around in the plot view, like an over-animated petri dish. This eye-catching display provides vital feedback on what sounds the synth is generating. Each particle – or note – is represented visually on these plots, colour-coded per each of the eight available oscillators. The interface has animated, heptagonal and circular plots that represent the 3D surround sound output in 2D form. SkyDust 3D is a comprehensive synth but its unique selling point is certainly its spatial audio capabilities.
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